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In last week’s blog I described the literary summit of three dead writers (Faulkner, Proust and Nabokov) and one very much alive writer, Pat Conroy. Today I want to tell you about the day Pat became an editor. A restaurant in Beaufort, South Carolina called Griffin Market specializes in Italian cuisine from the Piedmont region of Italy. Pat’s time in Rome made him passionate for the food, so that the opening of this restaurant by Chef Laura and Sommelier Riccardo was a bit li

Last week I disclosed my dilemma in combining two short novels, A Southern Girl and Just a Dance, into the single story they cried out to be. The solution was neither painless, nor quick, nor even mine. Dante famously warned at the gateway to his Inferno, “Abandon all hope, you who enter here,” and I had abandoned all hope of getting A Southern Girl published. But in 2012, I appeared with Pat Conroy at the Savannah Book Festival. Pat always draws a large crowd, and the crowd

Last week’s blog identified three forces in Mexico that inspired me to more and hopefully better production in my writing. But motivation is not the same thing as inspiration. Today, I want to address inspiration. Writers are routinely asked where they get their ideas. I have long suspected that those most inclined to ask are the people for whom the idea of writing a novel is a foreign (and as magical) as pixy dust on faireys’ wings. I am equally in awe of anyone who can pain

Six weeks on the road is a stretch, and when forty-three events in four states are factored in, there is only one logical question that can be asked: are you insane? Maybe. I kicked off the Southern Girl book tour on May 8 near Columbia with Friends of the Irmo Library, the first of a number of library events on the schedule. The crowd was small but eager to learn about the book. The crowd was anything but small the following evening at a private party on Hilton Head Island.

Last week’s blog mentioned some challenges presented by Mexico that required adaptation. For me, the challenge above all others was to write a good book which, after all, was the reason for coming. Three forces shaped my time and influenced the results. The first of these was my writing group, the core of which consisted of Donna Meyer, Roy Sorrels, Barbara Covarrubias and yours truly. Donna had been, some years earlier, in the original cast of the European production of the